![]() The tempo range is 30-300 BPM, the shift range is ±400ms and the resolution 20µs. As if this wasn't enough, unused channels can always be used as a MIDI controller via MIDI-out or USB MIDI. Multiclock USB offers Hot-Plug&Play support for MIDI, DIN, Modular Clock & Analog LFO and has a built four channel class-compliant USBĪny MIDI data sent to those USB ports gets forwarded to the respective physical MIDI OUTs. It features four ultra precise channels, all separately shiftable and swingable in real time to compensate slave machine delay and add groove. It converts all kinds of clock signals from one to another and is able to derive highly accurate sync with a plugin provided from the soundcard of a DAW or even generate a masterclock itself. Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks. it seems to be a function of both devices given that only the acme seems to create this issue in the multiclock, and other devices seem to play fine with the acme.The multiclock USB built by E-RM Erfindungsbüro Rest & Maier is a one-stop shop for synchronising all kinds of musical gear with great precision to a master DAW. Each channel can be set to either emit MIDI, DIN sync or analogue clock. Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with 1 sample of jitter. I don't have any of the weird swing settings or offset settings, or even divisions playing from acme. BUT if i leave things at that lower tempo (and we're talking about relatively high bpms, like 135), and i start up the acme, the multiclock flashes the 'clock running' band along the bottom, but then stops and doesn't pick it up. When i lower the tempo on the acme, the multiclock follows along. If i turn up the tempo on the acme to somewhere around 160 bpm, and then start it - the multiclock picks up the sync, shows the correct tempo, etc. So, i didn't suspect it.īut this is the weird problem. But it turns out that the problem was that i was syncing (or trying to) to the acme 4, which works with everything else. so, given that it syncs up immediately to the octatrack, there doesn't appear to be a problem with midi clock per se. I have no problem starting the multiclock with other clocks (analog clock, and then i tried the octatrack). Some more detailed troubleshooting today.found what the issue is, but i have no idea why this is happening. It is updated to the most current firmware. It is in excellent condition and works like new. I bought this about 6 months ago and I have since changed my system, so I no longer need this. Sounds like everything will run without any problems! Can't wait to get it, DAW integration with my system has always been the intention, but it's taken me much longer than anticipated to get it done. Non-EU customers will need to purchase a 9-12V DC power supply (any polarity) or type f->type a adapter to use with the existing PSU separately. Up for sale is an E-RM Multiclock USB/SYNC/Midi Interface. Thanks a lot for the detailed explanation. ![]() I put the output on the scope and can confirm Multiclock's reset gate goes high when I start Reaper and stays high until I stop Reaper then if goes low, and Pams starts and stops on the gate. I set the Multiclock Channel to Gate mode with Positive Polarity and on Pams, I set Run to "Gate Sets Clock State". ![]() Really a ton of options on the Multiclock side! One can also set the Start Polarity to positive or negative. Channel 1 on Multiclock is set to "Analog" Channel Mode, which has a submenu called "Start Mode" which one can set to either a Gate, a Trigger, or a Trigger that skips one click. I was just a bit concerned that somebody said it didn't stop when the run receives zero gate but hopefully it's been resolved!Ī little more detail on how this is configured in my setup: I'm using output 1 TRS from Multiclock to a Y cable to Pams Clock and Reset inputs. ![]()
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